The MX Series have been designed to offer a uniquely simple solution to the long-standing problem of routing of multiple mixing consoles outputs to a speaker system / system processor.  Handling up to 36 inputs in 2U across analogue, AES and Dante networks, these are arranged in sets of four (to typically support Left-Right-Front Fill and Sub feeds from an individual console).  All AES inputs have SRC. There is one set of four outputs, available simultaneously across analogue, AES and Dante networks with Word Clock output sync available on AES.



Follow:
Analogue Inputs:
Consoles A/B/C
3 x 4, 24-bit, 96kHz conversion; max input level +21.5dBu

AES Inputs:
3 x (2+2), with individual pair sample rate conversion

Dante Inputs:
3 x 4, global sample rate (48k/96k),

Background Music (Stereo Line)
Stereo unbalanced 3.5mm front panel jack, 2 x rear panel balanced XLR (in parallel)
24-bit, 96kHz conversion; variable gain -INF to +20dB; max input level +21.5dBu
Microphone
Mono balanced front panel XLR, rear balanced XLR (in parallel)
24-bit, 96kHz conversion; variable gain -50dB to +50dB; 48V phantom power

Analogue Outputs:
4 x balanced XLR, max output +21.5dBu (may be internally scaled to +8dBu or +12dBu for upstream system compatibility)

AES Outputs:
2 x 2 , 96kHz (default) internal word clock (48K selectable), or sync to external BNC word clock

Dante Outputs:
1 x 4, global sample rate set by Dante network (48k/96k)

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